ホテル7,258,491軒60カテゴリで
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歴史的
歴史的建造物の中にあるわけではないが、このヘリテージ・スタイルのホテルは、伝統的なアラビアン・バイト（この地域の商人たちの宿泊施設として使われていた昔の家屋）を模したスタイルと装飾が施されている。ホテルは22の異なる家屋に分かれており、各部屋の外観は当時の歴史と遺産を反映した本物のレプリカであると同時に、現代的な快適さとアメニティをすべて備えている。
「歴史的」カテゴリーに関するレビューのまとめ
ドバイで本格的でユニークな体験をお探しなら、アール・スィーフ・ヘリテージ・ホテル・ドバイ、キュリオ・コレクション by ヒルトンは、ぜひ検討すべきホテルです。このホテルは歴史的な地区に位置しており、昔ながらのドバイの伝統的な魅力に触れることができます。そのヘリテージな雰囲気と独特な雰囲気は、まるでアラブの迷宮に迷い込んだような気分にさせてくれます。ホテルは本格的に建てられ、装飾されており、複数の建物をアンティークな地元の村として構成しています。ここに滞在することで、伝統的なUAEを体験し、ドバイを全く異なる視点で見ることができます。「豪華」という言葉を使わなくても、ホテルの卓越したスタイルとロケーションは、あなたが求める豪華なウォーターフロントでの滞在を提供してくれます。
アンケート
建築された年：2017
物件の歴史の詳細を教えて頂けませんか？Located along the shores of Dubai’s iconic Creek the Al Seef development is an exciting new cultural tourism space that merges the city’s past with its present.
GAJ were responsible for the design of the overall master plan, along with the design and construction supervision of the eastern section (phases 2 and 3) which follows a more traditional heritage style.
For this unique project it was essential that we first appreciated the extent and requirement of preserving and showcasing traditional Emirati architecture and local trades. The challenge was to design the buildings as if they had always been there withstanding the test of time through aging techniques and carefully calculated degradation percentages. Water marks, caulking and bulges in the edges all contribute to achieve this, as well as specifically chosen materials and finishes unique to local conditions of the time.
The eastern section includes a number of heritage style cluster buildings with the intention of recreating the memory of old Dubai along the banks of the Dubai Creek and extending the existing historical district of Bastakiya.
This started with the masterplan which was to act as the guiding principle of the development to ensure a cohesive vernacular architecture based on local heritage building principles and construction materials, reflecting local traditions as well as the environmental, cultural and historical context.
Each house or building within the project has a story of its own. Some buildings are designed to look as if they were built in 1960s with darker walls, less lighting and simple decorative elements, while others have lighter walls with much more intricate details and embellishments on the façade which indicates that they were built at a later stage when trade was good and businesses were doing well. The colours used for the buildings were based on traditional Dubai sandstone.
Attention to detail was crucial for this project and the team spent many hours researching the era visiting museums and old souqs as well as trawling through old news stories and photographs for inspiration to ensure that the finished product was as authentic as possible. It was important to ensure that elements, such as cornices, ironmongery and wooden doors, were as close to the original as practicable. Chandals, pergolas and barasti, which have been used in Emirati architecture for many years, have been cleverly incorporated as shading or screening to hide modern equipment and many of the fixtures are reclaimed items.
The result is a beautifully transformed area that brings to life an important era in Dubai’s fascinating history providing an authentic heritage experience and a stunning leisure, retail and dining location.
GAJ were responsible for the design of the overall master plan, along with the design and construction supervision of the eastern section (phases 2 and 3) which follows a more traditional heritage style.
For this unique project it was essential that we first appreciated the extent and requirement of preserving and showcasing traditional Emirati architecture and local trades. The challenge was to design the buildings as if they had always been there withstanding the test of time through aging techniques and carefully calculated degradation percentages. Water marks, caulking and bulges in the edges all contribute to achieve this, as well as specifically chosen materials and finishes unique to local conditions of the time.
The eastern section includes a number of heritage style cluster buildings with the intention of recreating the memory of old Dubai along the banks of the Dubai Creek and extending the existing historical district of Bastakiya.
This started with the masterplan which was to act as the guiding principle of the development to ensure a cohesive vernacular architecture based on local heritage building principles and construction materials, reflecting local traditions as well as the environmental, cultural and historical context.
Each house or building within the project has a story of its own. Some buildings are designed to look as if they were built in 1960s with darker walls, less lighting and simple decorative elements, while others have lighter walls with much more intricate details and embellishments on the façade which indicates that they were built at a later stage when trade was good and businesses were doing well. The colours used for the buildings were based on traditional Dubai sandstone.
Attention to detail was crucial for this project and the team spent many hours researching the era visiting museums and old souqs as well as trawling through old news stories and photographs for inspiration to ensure that the finished product was as authentic as possible. It was important to ensure that elements, such as cornices, ironmongery and wooden doors, were as close to the original as practicable. Chandals, pergolas and barasti, which have been used in Emirati architecture for many years, have been cleverly incorporated as shading or screening to hide modern equipment and many of the fixtures are reclaimed items.
The result is a beautifully transformed area that brings to life an important era in Dubai’s fascinating history providing an authentic heritage experience and a stunning leisure, retail and dining location.
物件が建築された時代、または建築様式は何ですか？1. Information about some of the building materials used
a. All doors and windows are made from Dabema African Teak
b. Handmade wrought iron ironmongery was used where possible
c. Traditional palm tree materials were used for Barasti
d. Coloured rendered plaster was used for the walls with various tints and finishing techniques.
e. Light fittings where made from brass where possible and authentically aged
2. Did the interiors mimic the same appropriation of the past or were they designed in a more modern sense
a. All front of house areas and FF and E were designed with same heritage intent, from the hand wash basins to the four poster beds in the hotel rooms.
b. All buildings and public areas have also been decorated with heritage props to add to the authenticity of the space, from old photographs to enamel cookware and traditional Emirati fabrics and ornaments.
a. All doors and windows are made from Dabema African Teak
b. Handmade wrought iron ironmongery was used where possible
c. Traditional palm tree materials were used for Barasti
d. Coloured rendered plaster was used for the walls with various tints and finishing techniques.
e. Light fittings where made from brass where possible and authentically aged
2. Did the interiors mimic the same appropriation of the past or were they designed in a more modern sense
a. All front of house areas and FF and E were designed with same heritage intent, from the hand wash basins to the four poster beds in the hotel rooms.
b. All buildings and public areas have also been decorated with heritage props to add to the authenticity of the space, from old photographs to enamel cookware and traditional Emirati fabrics and ornaments.
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